Feature Film Editing: My Fairy Troublemaker

Updated: added the full timeline of the Premiere project

On Cinemas – Fall 2022

Creative and technical film editing tasks, head of Editorial Department. I was assisting the Director in:
– Setting the vision of the film.
– Script scene breakdown.
– Storyboard tidying up, arrangement, indexing.
– Storyboard assembling (temp soundtrack).
– Scene and shot labeting and First rough cut.
– EDL and XML export.
– Production dailies updates; report to production; deliveries and Screening in Quicktime ProRes, MP4 H.264, DNxHD
– FFMPEG scripting and encoding automation

Full timeline in Adobe Premiere

“Good luck bad luck” timeline

This video shows my for “Good luck Bad luck” (working title), an early stage of an animated feature. It’s the Avid timeline of my the story board animatic stage.

My animation film editor reel

I have experience in feature animation films and aswell in VFX editing, in all production stages: Animatic, Layout and Finishing.
■ Trailers, demos and other communication videos.
■ Assistant director in Script supervision, Breakdowns, ADR supervision, shot creation
■ Motion Graphics: Compositing, 3D integration, UI and title design.

My work as animation editor

Ember, 2022 (working title) USA-Spain

My fairy troublemaker (Fabrique D’Images, Luxembourg-Germany)

Luck, 2022 (Skydance Animation, USA-Spain)

Splt, 2017 (working title, Skydance Animation, USA-Spain)

Welcome to Monster High, 2016 (Axis Animation, USA – UK)

Run Ozzy Run, 2015 (A3 Media & Tangent Animation, Spain- Canada)

Top Cat Returns, 2014 (Anima Estudios, Mexico-USA)

Justin and the Knights of Valour, 2013 (Kandor Graphics, Spain-UK)

The Lady and the Reaper, 2010 (Kandor Graphics, Spain)

The Missing Lynx, 2008 (Kandor Graphics, Spain)

Awards

  • Oscar nomination Best Animated Short Film for “The Lady and the Reaper”.
  • Best Animated Feature “Goya 2009” Award for “The missing Lynx”.
  • Best Animated Short Film “Goya 2010” Award for “The Lady and the Reaper”.

Feature film editing: EMBER

Animatic Associate Editor, AVID Media Composer. Board editing and dialog, sound design for The SPA Studios production for Netflix.

Atlas 360 – Triniom

Creative assessment. Storyboarding. Animation, digital compositing and editing. Production workflow with Adobe Illustrator and After Effects (motion graphics, Overlord add-on). Edited and mixed in Premiere, with Color Grading done in Davinci Resolve.

Check the client home page

Motion Graphics Reel

I’m a lover of CGI. Both 2D and 3D worlds can merge into something exciting inside Adobe After Efects.

Tools & plugins:

  • Video copilot 3D Element
  • Red Giant Suites: VFX, Shooter, Universe  & Trapcode
  • Mocha track, matchmoving and BG restoration
  • VR 360º videos with Mettle Mantra Suite
  • JSON SVG vector animation for webs

3D software:

  • Blender 3D
  • Cinema 4D
  • Reallusion Character Creator & iClone
  • Unreal Engine
  • Substance Painter
My IMDB profile