Tag: Adobe Premiere

Feature Film Editing: My Fairy Troublemaker

16 August, 2023

Updated: added the full timeline of the Premiere project

On Cinemas – Fall 2022

Creative and technical film editing tasks, head of Editorial Department. I was assisting the Director in:
– Setting the vision of the film.
– Script scene breakdown.
– Storyboard tidying up, arrangement, indexing.
– Storyboard assembling (temp soundtrack).
– Scene and shot labeting and First rough cut.
– EDL and XML export.
– Production dailies updates; report to production; deliveries and Screening in Quicktime ProRes, MP4 H.264, DNxHD
– FFMPEG scripting and encoding automation

My animation film editor reel

15 August, 2023

I have experience in feature animation films and aswell in VFX editing, in all production stages: Animatic, Layout and Finishing.
■ Trailers, demos and other communication videos.
■ Assistant director in Script supervision, Breakdowns, ADR supervision, shot creation
■ Motion Graphics: Compositing, 3D integration, UI and title design.

My work as animation editor

Ember, 2022 (working title) USA-Spain

My fairy troublemaker (Fabrique D’Images, Luxembourg-Germany)

Luck, 2022 (Skydance Animation, USA-Spain)

Splt, 2017 (working title, Skydance Animation, USA-Spain)

Welcome to Monster High, 2016 (Axis Animation, USA – UK)

Run Ozzy Run, 2015 (A3 Media & Tangent Animation, Spain- Canada)

Top Cat Returns, 2014 (Anima Estudios, Mexico-USA)

Justin and the Knights of Valour, 2013 (Kandor Graphics, Spain-UK)

The Lady and the Reaper, 2010 (Kandor Graphics, Spain)

The Missing Lynx, 2008 (Kandor Graphics, Spain)

Awards

Oscar nomination Best Animated Short Film for “The Lady and the Reaper”.
Best Animated Feature “Goya 2009” Award for “The missing Lynx”.
Best Animated Short Film “Goya 2010” Award for “The Lady and the Reaper”.

Postproduction of shortfilm Vida

6 February, 2020

This is the making of Vida, focused on the post production process.

The editing was made on Adobe Premiere by the director himself. Then the whole project moved to Davinci Resolve as a XML, where final editing & Color Grading took place.

VFX were applied to track and place the logo on the reporter’s mic, using Mocha.

For the news opener, Element 3D was used and composed with an assorted set of assets.